I am a trans, neurodivergent glitch & digital media artist, as well as a research assistant and installation technician for A4 Sounds

The overarching themes of my practice include gender, alchemy, platforming marginalised voices, and accessibility in art. I explore these through both a studio based and collaborative practice.

My artwork focuses on gender, ecological disaster, and resistance to the dogmatic far right. Using metaphors of alchemy and metamorphosis I explore gender transition and its context in a wider political conversation of a rising far right and impending ecological collapse.

My art, like many others glitch artists, exists mostly online: This makes the work accessible from anywhere at any time. I make it using open-source software when I can in order to allow others to recreate and expand upon it. I discuss gender through expanded metaphor in hopes others can learn from it and apply its meaning to other topics, such as global warming.

In my studio practice I use digital glitches as a way to deconstruct the narratives I question in my work. I use visual metaphors of alchemy and metamorphosis to describe my take on the ever-shifting nature of gender and the need for change to combat total ecological disaster and the rise of far right narratives which directly affect queer and otherwise marginalised peoples.
Through my collaborative practice with A4 Sounds Studios, Mask Bloc Eire, and The Small Trans Library I build relationships with others around the themes of my practice. Topics in my work such as accessibility and queer perspectives are bolstered by these collaborations.

My practice strives to represent what I have learned through conversation and interaction with these groups. From this I work towards a goal of collectivity in the arts and the access to practice art for any and all.

Both my studio and collaborative practices strive to counter unethical and misguided understandings of the lived experience of marginalised peoples.